My country tis of thee
admits the Army shielded wild Barbie,
offers regrets to the French, reports the WASHINGTON POST
sometime in the 19 Eighties. Lurid tales we seek as truth. Late
blooming never the sole criteria for liberal v. conservative failure—
lying wide-eyed tribute on Federal district sidewalk,
some sunbleached sign of the elephant,
Reckoncharmers sigh, chalk up another marble, another
favorable position, another power lunch then a movie, maybe
an opera built for three. “Who needs the French?”
a bald-headed Bronx cheer indulges in politics,
the American way of democracy retracts yet another remark
now sold as antique jewelry to Easter chicks. An obese femme,
garbed in African swank wearing three wristwatches on each arm
waddles with her two sophisticated poodles, one named Adverb,
the other No Way, each tugging at its chic fluorescent
(check for spelling and decimal point errors)
lime leash, no shifty stereotype here, just eyeballing
the obvious. Sensing a sneer I duck
into a clothier’s for a fresh pair of socks,
and a swim. Mine stank of summer
syntax. War famine was next in line.
“Why apologize with regrets during a great afternoon like this?”
goofs some vital standby officer of chimera, blowing sweat
through a polished bugle, a bugle he found in a garbage bin
outside the Pentagon fringe, and lapping in the express lane
at an ice cream cone, dual unnamed flavors, the eyewitness said..
“It’s not like it’s the end of time!”
says another, posing with a cardboard zipper,
bound for political access,
ever the angry gay blade strapped for cash.
Name must remain anonymous and rash
during our lifetime due to a computer foulup, a crash
or a chip off the old block where we rolled drunks for rock
bottoms and banquet foam, but fate in a handbasket is cruel
inking sad where they fell prophecies the way it explains the rule
coz if’n I read my cards correctly, foul play’s not even considered
an alternative lifestyle to those breeds, nor of troops,
and three squares configure scales too fussy
off the calloused side of the thumb
to blame Dick’s dog. Or Tom Paine.
This is America the Beautiful Swan type—
Juggling outside chances the ugly and faint of bosom reject
this effort at grip, open cells and prickly pears, the perfect girly
woman waiting & knocking on wood for the perfect agency to invent her
peeling to reveal another strata, another compass, another grim
act of nature striking pose off nuclear physics and mortuary skim
poised to strip down the hungry Brass Madonna’s wet clothes
and heap fixes of a linear paraphenaliac’s basic whim,
quite sure broad’s the bored way straight to the center swim
upstream even less funny to that green collar’d fraternity crate
looped within those smoking porkbarrels squirming close to the edge
locked in greed-conditioned theocratic boardroom halls gull gray
pun free spinning within an enriched whiskey culled earshot
of others grinning just like them. Where am I? unbuckled
shouts the penny-wise pope, pouts this poet looking trickled
in this momentary picture of modernized rot without
a bull’s eye shot at decent wage or freedom to decay?
“Show me a capitalist, and I’ll show you a dollar!”
This I heard a bum in the busy street to holler.
Jazzy corporations sing of their due
far more frequently and sanctimoniously
than revealing their own larded backyards
girded with jargonistic creeds,
painting the bones of the working breeds
set free by a law whose spirit’s in shards
never to open a door for the beauty of fair gain
where responsibility evasion suits up bringing bitter rain
the tears of whole industry cuts.
Escaping to alien sands
to other sites as working class soldiers toss crumbs to children
in hopes of a better day.
This is America the Ugly Duckling hype—
Felonious jungle gyms set in concrete, shrieks & blood, billions
of half-baked beans, energy levels, kilowatts raised on special G-forces
bilked to protect her shining shores from feigned foreign invasion
a trick of fate which seldom shakes the rich guard of daylight,
and wicked lines around city blocks fumbling for hot checks
and balances in nothing but heinous expenses, flesh floating a kite
chasing pale the rider stale. But the foray descends as nocturnal
homes in flight beneath shrill wraps of free lunch gain
produce social overbite.
[ 1998, Washington, DC ]
Showing posts with label power. Show all posts
Showing posts with label power. Show all posts
Sunday, September 23, 2007
WAR ORPHANS
In Greece range many goats and peasants, old ruins
slide seductively up next to you, your tour bus seat
wet with the perspiration of tourism’s ego,
and they whistle down your neck, inviting
you in for a closer view, a bottle of brew
and a native look into your purse-string
mentality. You remember not
the peasants of your own dry, arrid backwash,
as you sneak past Ptolemy’s submarine intelligence
and sail the high Mediterranean cheekbones
of a beauty which will never be yours
to sell or inspire. You claim powers
separate but indivisible. You caress
a sweet lamb’s woolen sky
a moment at a time, you tell yourself—
and then off into the next war you race.
Rome is a lion’s den of passion, and there is none
whose impeccable beauty matches it in all of her body,
where genius and vassal alike marched headfirst into the eye
of her borrowed king’s sun. Bartering for a love
you had read about in the film industry trades,
no choice was yours but to puff up your sex toys
mouthing lewd colors, and fall into
the same paragraph Mussolini
wrote Ezra Pound in a fit of angel tenure
stalking slow explanation with nine hungry prisoners
to feed—Copernicus and Galileo and their crippled sister,
people carrying people to the rope of regret.
To fly to fair London where English is still spoken,
you spare your very finest silk underwear odes. The clock
reminds us there of social stares where poets play
guitar and the children can’t weep. Iced tea
and words like export, involvement,
and the king’s divorce, provide the stranger
the wide gulf most manic voyages through instinct
bled back through ages Blake, Wordsworth, Auden
forgot. Cool safety is a damp trial in the pit
of drizzling pomposity, ambitiously full of
fresh opinion armies where Johnny Rotten
would spit the fat sickness, repayed
by urban privacies and a charming public laity,
fiscal socialist agonies the sulphur of St. George.
Tradition is bought pennies on the dollar, witnesses
gathering on the White House Lawn wet their pants
in Murder Row relief, outlining your latest hit list
no longer the sounds of Roberta Flack or Marvin Gaye,
but of takers of the routine shortcut driving the herd
deeper into the jungle, brain waves and assault weapons
spraying powdered milk, shoving shy rain mosquitoes
into the grave not even George Washington could defend.
Measuring sick thespian vacancy with the same
motley precision a syringe injects its fistful of spitfire,
some other dead prophet—Martin Luther King—rolls over
squashing the maggots he fed in trenches of glory, privacy
oh privacy and the black nothinghood gangs littering
our scared and scarred streets, denying reality’s heavy lip
thus clings like a sea-dried ghost over the forefather’s city
washing in the blood of not the lamb but the wolf
where statistical impulses anxiously numb
rob the same paragraph these interrogatories rib.
[ 1995, Washington, DC ]
slide seductively up next to you, your tour bus seat
wet with the perspiration of tourism’s ego,
and they whistle down your neck, inviting
you in for a closer view, a bottle of brew
and a native look into your purse-string
mentality. You remember not
the peasants of your own dry, arrid backwash,
as you sneak past Ptolemy’s submarine intelligence
and sail the high Mediterranean cheekbones
of a beauty which will never be yours
to sell or inspire. You claim powers
separate but indivisible. You caress
a sweet lamb’s woolen sky
a moment at a time, you tell yourself—
and then off into the next war you race.
Rome is a lion’s den of passion, and there is none
whose impeccable beauty matches it in all of her body,
where genius and vassal alike marched headfirst into the eye
of her borrowed king’s sun. Bartering for a love
you had read about in the film industry trades,
no choice was yours but to puff up your sex toys
mouthing lewd colors, and fall into
the same paragraph Mussolini
wrote Ezra Pound in a fit of angel tenure
stalking slow explanation with nine hungry prisoners
to feed—Copernicus and Galileo and their crippled sister,
people carrying people to the rope of regret.
To fly to fair London where English is still spoken,
you spare your very finest silk underwear odes. The clock
reminds us there of social stares where poets play
guitar and the children can’t weep. Iced tea
and words like export, involvement,
and the king’s divorce, provide the stranger
the wide gulf most manic voyages through instinct
bled back through ages Blake, Wordsworth, Auden
forgot. Cool safety is a damp trial in the pit
of drizzling pomposity, ambitiously full of
fresh opinion armies where Johnny Rotten
would spit the fat sickness, repayed
by urban privacies and a charming public laity,
fiscal socialist agonies the sulphur of St. George.
Tradition is bought pennies on the dollar, witnesses
gathering on the White House Lawn wet their pants
in Murder Row relief, outlining your latest hit list
no longer the sounds of Roberta Flack or Marvin Gaye,
but of takers of the routine shortcut driving the herd
deeper into the jungle, brain waves and assault weapons
spraying powdered milk, shoving shy rain mosquitoes
into the grave not even George Washington could defend.
Measuring sick thespian vacancy with the same
motley precision a syringe injects its fistful of spitfire,
some other dead prophet—Martin Luther King—rolls over
squashing the maggots he fed in trenches of glory, privacy
oh privacy and the black nothinghood gangs littering
our scared and scarred streets, denying reality’s heavy lip
thus clings like a sea-dried ghost over the forefather’s city
washing in the blood of not the lamb but the wolf
where statistical impulses anxiously numb
rob the same paragraph these interrogatories rib.
[ 1995, Washington, DC ]
KINETIC CHRIST
I was deprived of power as a child, said the balding
eagle to the claims department, his breath
on fire, and his hand on third base flying
homeward, relieved of duty
and pitched into another shift on a close call.
Woman’s intuition is that a man should do it,
evidently another lost cause, his death
to prove nothing but the release
winging it to spare us his fall.
Pop crackle. Moonsong.
The efforts are worn from the chest,
splinters of glory dancing in the fireccaves
nearer to thy loins than lions in the wind
and the murmurs of generations
never savvy to the wisdom
of peppermint slaves.
The choice of ironing the only shirt in town
or swinging with the slugger’s club
parches a few tongues, a brain
and a bodyguard on leave from art school,
the video drones loving the effects
much more than the call of DNA—
but denying it in fashionable cliques
of gestation. The metal clown
chirps…
“Woe, woe, woe your boat , mintly down the cream,
wearily, wearily, wearily, wearily, wife’s a butterbean!”
Home court presses, visitation rights,
the metal clown chirps.
[ 1996, Washington, DC ]
eagle to the claims department, his breath
on fire, and his hand on third base flying
homeward, relieved of duty
and pitched into another shift on a close call.
Woman’s intuition is that a man should do it,
evidently another lost cause, his death
to prove nothing but the release
winging it to spare us his fall.
Pop crackle. Moonsong.
The efforts are worn from the chest,
splinters of glory dancing in the fireccaves
nearer to thy loins than lions in the wind
and the murmurs of generations
never savvy to the wisdom
of peppermint slaves.
The choice of ironing the only shirt in town
or swinging with the slugger’s club
parches a few tongues, a brain
and a bodyguard on leave from art school,
the video drones loving the effects
much more than the call of DNA—
but denying it in fashionable cliques
of gestation. The metal clown
chirps…
“Woe, woe, woe your boat , mintly down the cream,
wearily, wearily, wearily, wearily, wife’s a butterbean!”
Home court presses, visitation rights,
the metal clown chirps.
[ 1996, Washington, DC ]
Thursday, September 20, 2007
HOW RICH YOUR TEXT IS
Originally published on February 6, 1997
Leave the bastard. Kick him out into the fruity liasons of territories still in contention. That seems to be all Jack can produce of himself. Man I greive for all the potential Jack could possibly manage yet continues to fuck up. You know, the first time we ever met, when he said he wished he could be like me...
I now suppose he was right, once upon a time. I am me, he ain't.
That was some strong detail you suffered, baby. Jack is a real ass, I'm sorry. Frankly I love you, not him, although Gene Wilcox and I were just watching Jack coordinate a video shoot we watched blah blah...and still recognize the power of Jack's presence...
I'm not only tired, I'm on the tail end of an 18 hour drunk. Gene Wilcox, who thinks, argues thinking he is, but ultimately agrees that I not he is the baby Jesus, is still here passed out on the couch...
GT
Leave the bastard. Kick him out into the fruity liasons of territories still in contention. That seems to be all Jack can produce of himself. Man I greive for all the potential Jack could possibly manage yet continues to fuck up. You know, the first time we ever met, when he said he wished he could be like me...
I now suppose he was right, once upon a time. I am me, he ain't.
That was some strong detail you suffered, baby. Jack is a real ass, I'm sorry. Frankly I love you, not him, although Gene Wilcox and I were just watching Jack coordinate a video shoot we watched blah blah...and still recognize the power of Jack's presence...
I'm not only tired, I'm on the tail end of an 18 hour drunk. Gene Wilcox, who thinks, argues thinking he is, but ultimately agrees that I not he is the baby Jesus, is still here passed out on the couch...
GT
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